When you import a set, all the patches in the set are imported. You can export patches and sets from a concert and import them into another concert. Sharing Patches and Sets Between Concerts You make connections between your MIDI devices and your MainStage concert by assigning hardware controls to the screen controls in the concert, then map the screen controls to channel strip and plug-in parameters, completing the connection so you can easily manipulate the parameters for each patch in the concert. Screen controls include keyboards, faders, knobs, buttons, pedals, drum pads, and other hardware controls and displays. You organize patches for a concert in the Patch List, which includes grouping them into sets, which are folders where you can store patches you want to keep together.Įach concert includes a visual interface, called a layout, with screen controls that you use to modify your patches in live performance. You can even mix channel strips of di erent types in a single patch. You can add channel strips, choose channel strip settings, add instruments and e ects, and edit their parameters to customize your sounds. In a MainStage concert, individual sounds are stored as patches, and each patch can contain one or more channel strips, each with its own instruments and e ects. A concert can store all the sounds you’ll use in an entire performance or a series of performances. In MainStage, you organize and access your sounds in concerts. Vocalists, drummers, and other musicians can sing and play with multi-e ects setups using a microphone. If you play electric guitar, you can play through virtual amps and use e ects such as overdrive, reverb, and compression. Using a USB or MIDI keyboard controller, you can play a wide variety of software instruments, including pianos and other keyboards, synthesizers, strings, horns, percussion, and more. Whether you sing or play a keyboard, guitar, or another instrument, you can use MainStage when you perform live. MainStage turns your computer into a powerful multi-instrument and e ects processor that you can use on stage when you perform. I also have a stereo jack lead with a toggle switch on one end into the foot switch socket on the.MainStage is a music application designed for use in live performance. The foot switches on the QC are so easy to operate by hand unlike the V元 X. I have the QC, V元X, OC5, B9 pedal and Focusrite all wired together in a large case or box and I operate the foot switches by hand as I sit on a stool and play the drums live with Drumtech Fat pedals. I even use a compressor to duck the GTR volume when I sing using the vocals on the side chain. MainStage allows you to use high end Fx on the channels. I also have a Boss OC5 octave down bass ( as it allows you to chose the range of the notes effected) on a MainStage Chanel and an electro harmonics B9 using a row on the QC I also have a MainStage channel for a harp. I mix the QC and the V元X by using the mixer in MainStage on my MacBook ( via a Focusrite audio interface) which also has my drum samples from superior Drummer 2 on it This way the volume of the vocal does not change if I alter the master volume of the QC I then send the vocals to the V元 via an Fx send. input 2 to a compressor eq and reverb, but I put not in use for the output. I have not in use for the output on the QC VOX line which is ( from memory ) …. I put a dummy plug in GTR out of the V元 so I don’t get the GTR processed by the V元. I send a GTR signal to the V元 X using an Fx send block as the second Fx block on Row 1 (after a noise gate )so the VL can read the chords for vocal harmonies. On the QC I have GTR to input 1 and mic to input 2 I use 2 rows for GTR, 1 for vocals and one for my electro harmonic’s B9 pedal I too found this a problem but I managed to solve it for my system.
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